The Block Week 5: Living, Dining and Alfresco Week
This week, The Block moved into the living, dining and alfresco spaces the areas responsible for bringing the entire home together.
These rooms may appear easier to design because they offer more space, but generous proportions introduce their own challenges. Furniture that worked beautifully in a smaller room can suddenly feel undersized, disconnected, or awkwardly pushed against the walls. The larger the room, the more important scale, proportion, circulation and spatial planning become.
Across the five houses, we saw some beautifully resolved interiors, cohesive colour palettes and thoughtful architectural details. We also saw how quickly a large room can lose its sense of luxury when the furniture does not adequately fill the space or the layout fails to create a clear hierarchy.
Luxury is not simply having more square metres. It allows each area to breathe while ensuring the living, dining, and alfresco zones still feel connected and intentional.
This week, I am looking beyond the individual furniture choices to examine how each couple used the space as a whole: what worked, what felt unresolved and where a change in scale or orientation could have completely transformed the way the room functioned.
Adam and Jolene: The Power of Refining and Editing
Adam and Jolene delivered an exceptional series of spaces this week.
The living room, dining area and alfresco feel cohesive, elevated and thoughtfully connected without relying on excessive architectural detailing or competing features. The palette is warm and confident, the furniture selections complement one another, and the overall presentation feels considerably more refined than some of their earlier rooms.
There is very little I would fundamentally change.
This is a strong example of what can happen when a team edits its ideas, trusts the architecture and allows each element enough space to be appreciated.
Using Mirrors to Expand the Interior
The use of a large mirror is particularly successful.
Rather than reading as a purely decorative surface, it visually extends the room's boundaries and reflects light throughout the living and dining areas. It softens the perceived edges of the space, making the interior feel broader and more open than its physical footprint.
A mirror can easily become overwhelming when applied without restraint. Here, it performs a clear architectural function and supports the wider design rather than competing with it.
A Cohesive Colour Palette
The olive-green velvet seating gives the living room depth and personality, while the warm timber, cream upholstery and dusty rose accents prevent the palette from feeling too heavy.
These colours also flow naturally into the dining area. The timber table and earthy upholstered chairs continue the warmth of the living room, while the statement lighting distinguishes each zone without completely separating them.
The spaces feel connected but not repetitive.
This is one of Adam and Jolene’s greatest achievements this week. They elevated the rooms without making them scream for attention.
A Well-Considered Layout
The furniture plan has been thoughtfully resolved.
The living room provides generous seating, the arrangement feels conversational, and the rug is appropriately scaled to anchor the furniture. The television wall is visually balanced, while the long low joinery preserves the room’s horizontal lines.
The dining table serves as a natural connection between the living area and the alfresco, supporting both everyday use and large-scale entertaining.
You could become very particular about individual styling choices, but there is no significant layout or design issue requiring intervention.
Refining the Alfresco Seating
I agree with the judges that the alfresco could have accommodated a larger lounge.
The dining setting is appropriately generous, but the casual seating area appears comparatively restrained for the scale of the outdoor zone. A larger lounge would create a stronger secondary purpose for the alfresco and provide more comfortable seating for entertaining.
This is a matter of furniture scale rather than a fault in the broader design. The finishes, material palette and connection to the interior are already beautifully resolved.
The Value of Editing
Adam and Jolene’s improvement this week came from refinement.
Instead of attempting to make every surface a feature, they established a clear palette, selected a few strong pieces and allowed the layout, light and material relationships to carry the rooms.
The result feels elevated without being overworked.
The Design Lesson
This week demonstrates that a successful room does not always require a dramatic transformation or highly unconventional idea.
Sometimes the greatest improvement comes from editing—removing unnecessary competition, refining the palette and ensuring every element contributes to the same design story.
Aside from increasing the scale of the alfresco lounge and potentially refining a few styling details, I would leave these spaces as they are.
Adam and Jolene genuinely smashed it this week. Their restraint paid off, and the result is warm, cohesive, luxurious and highly marketable.
I would not create a conceptual mock-up for House One. The only meaningful change is a larger alfresco lounge, which is a minor furniture adjustment rather than a redesign.
Chantel and Wyatt: Beautiful Pieces That Feel Underscaled
Chantel and Wyatt’s living, dining and alfresco spaces are undeniably beautiful.
The palette is soft, the furniture selections are elegant, and the rooms continue the restrained design language established throughout their home. I generally love what this team creates, but this week the overall result falls slightly short of what I expected from them.
The problem is not the colour palette itself.
It is scale.
These are expansive spaces within a multimillion-dollar home, yet several of the furniture pieces, decorative objects, and focal points feel too small for the surrounding architecture. The rooms are beautifully furnished, but they do not feel fully anchored.
When Restraint Becomes Too Safe
A neutral palette can feel sophisticated, warm and highly marketable. However, it still requires contrast, texture, variation in form and a clear visual hierarchy.
Here, many of the finishes occupy a similar pale tonal range. The sofas, chairs, rug, walls, and coffee tables blend gently together, but there is not enough visual weight variation to give the living room depth.
The room does not necessarily need more colour. It needs a stronger texture, larger forms, and one or two architectural elements to ground the space.
There is a difference between restraint and absence. This room feels as though it stopped one layer before completion.
Reconsidering the Television Wall
I do not agree with the placement of the television.
The existing television and fireplace wall pulls attention away from the views and determines an awkward orientation for the furniture. In a home where the outlook is one of the property’s greatest assets, the living-room plan should preserve a natural relationship between the seating, television and exterior.
I would reverse the room's orientation.
The television, fireplace and accompanying joinery could be relocated to the wall currently holding the artwork. The seating could then be reoriented around that wall, allowing the room to maintain a stronger connection with the glazing and surrounding views.
The current television wall could instead accommodate one substantial piece of artwork, creating visual interest without forcing the room to revolve around the screen.
This change would need to be carefully resolved with respect to circulation, glare, and fireplace requirements, but conceptually, it would give the room a much clearer purpose.
Correcting the Scale of the Artwork
The artwork itself is attractive, but it is under scaled for the wall.
Large walls require artwork with enough size and presence to relate to the architecture. A small piece surrounded by substantial negative space can appear accidental rather than restrained.
I would select one significantly larger artwork and make it the focal point of the wall. This would introduce depth and personality without disrupting the neutral palette.
A room of this scale does not require numerous smaller decorative additions. It requires a few pieces with enough presence to hold their own.
Increasing the Furniture Scale
The living room would also benefit from a larger lounge.
The current seating is soft and sculptural, but it does not occupy the room with enough confidence. Increasing the scale of the main lounge—or extending it into a more generous configuration—would better respond to the floor area and create a stronger sense of comfort.
The coffee-table arrangement has the same issue.
The marble table is beautiful, but it feels too small within the composition. I would replace it with a larger, round marble table and pair it with the existing organically shaped table at a different height.
This would create a more substantial central grouping while retaining the soft curves already present throughout the room.
The flowers currently placed on the coffee table could be removed. They feel decorative rather than intentional, adding another small element to a room already lacking sufficient visual weight.
Adding Architectural Presence
The Dining Area
The dining area is elegant and beautifully presented.
The sculptural pendant creates movement above the table, while the upholstered chairs and full-height curtains reinforce the softness of the wider interior. This zone feels more resolved because the long table and repeated chairs provide sufficient scale to anchor it.
I would change very little here.
If anything, I would ensure the table styling remains restrained so the pendant, furniture and outlook continue to lead. The dining setting already demonstrates that a neutral palette can feel substantial when its proportions respond appropriately to the room.
Developing the Alfresco
The alfresco feels particularly underdeveloped for its size.
A single dining setting does not fully capitalise on such a generous outdoor footprint. In a home designed around entertaining and expansive views, the alfresco should support more than one activity.
I would retain the dining table but introduce a proper outdoor living zone with a large lounge, substantial coffee table and appropriately scaled side tables. Oversized planters could help define the zones and soften the extensive timber and glazing without cluttering the area.
The issue is not that the existing furniture is unattractive. There simply is not enough of it, or enough functional variation, to make the alfresco feel complete.
The Design Lesson
This house demonstrates why proportion is about more than whether furniture physically fits inside a room.
Furniture, artwork, and styling must have sufficient visual weight to respond to the surrounding architecture. A piece can be beautiful in isolation and still feel unsuccessful when placed within a space that overwhelms it.
Chantel and Wyatt created an elegant and cohesive foundation, but this week the rooms feel overly safe and slightly underscaled.
By reversing the television orientation, enlarging the main lounge, strengthening the coffee-table composition, introducing larger artwork and developing a genuine outdoor living zone, the home could retain its quiet neutral palette while gaining the depth and presence currently missing.
The space does not need to become louder.
It needs to become more deliberate.
Lisa and Rosco: Strong Spatial Planning with a Few Scale Adjustments
Lisa and Rosco delivered a strong collection of living, dining and alfresco spaces this week.
The colour palette feels warm and confident, the furniture has enough softness to balance the architecture, and the large rust-toned rug gives the living room a clear sense of identity. The television is positioned correctly, the fireplace adds both warmth and architectural interest, and the overall spatial planning feels considered.
Unlike spaces where neutral furniture disappears into the architecture, this room has a clear visual anchor.
The design is cohesive, functional and appropriately connected to the wider home. Most of the changes I would make relate to scale rather than the underlying concept.
The Rug as the Visual Anchor
The oversized coloured rug is one of the strongest decisions in the room.
Its scale properly defines the living zone, while its earthy rust tone introduces depth without disconnecting from the otherwise neutral palette. It also creates contrast against the pale lounge and timber flooring, allowing the furniture to feel grounded rather than floating within an expansive open-plan area.
This is a good example of how colour can be used confidently without overwhelming a room.
The rug does not compete with the architecture. It gives the architecture and furniture a sense of belonging.
A Well-Resolved Television Wall
The television has been placed in the correct location and supported by a strong architectural composition.
The long built-in ledge, integrated fireplace and log storage create horizontal continuity across the wall. Rather than appearing as a screen placed on an empty surface, the television forms part of a complete functional zone.
The fireplace provides visual weight at one end, while the styling at the opposite end balances the composition without creating perfect, artificial symmetry.
This wall adds the architectural interest the living room needs while remaining practical.
Strong Living-Room Proportions
The generous modular lounge is appropriately scaled for the room and provides enough seating for the home's size. The addition of occasional chairs creates a more conversational arrangement and prevents the space from functioning solely as a television room.
Circulation around the furniture also appears comfortable.
The seating, rug and television wall work together successfully, which is why the living room feels anchored despite its substantial size.
Enlarging the Coffee-Table Composition
The coffee tables are attractive and consistent with the room’s organic material language, but the grouping feels slightly under scaled.
Because the lounge and rug are so generous, the centre of the seating arrangement needs greater visual weight. I would either introduce a larger coffee table or add two more matching modular tables to create a broader, layered composition.
Repeating the existing pieces would preserve the design intent while more appropriately filling the central space.
The floral arrangement could also be reduced or removed to keep the tables' form and texture visible.
Increasing the Dining Capacity
The indoor dining setting feels small compared with the living room's entertaining capacity.
The lounge can comfortably accommodate approximately seven or eight people, yet the dining table appears designed for only six. In a home of this scale, those capacities should feel more closely aligned.
If space and competition requirements allowed, I would rotate the dining table and replace it with a larger setting capable of seating eight to ten people.
This would give the dining zone greater presence and create a more logical relationship between the number of people the living room can host and the number who can sit together for a meal.
The dining chairs are substantial and beautifully textured, so the room does not require a completely different design direction—only a table with proportions better suited to the space.
Reconsidering the Alfresco Barbecue Position
The alfresco is generous and successfully supports both dining and casual seating.
I understand why the barbecue was positioned against the enclosed wall. It gives the cooking zone a defined location and keeps services consolidated. However, its proximity to the main circulation path and glazing may not be the most practical long-term arrangement.
Smoke, heat and cooking odours need to be considered alongside access between the indoor and outdoor areas. If the services and structure allowed, I would explore repositioning the barbecue, so it remained convenient without becoming a dominant part of the alfresco entrance.
This is a practical refinement rather than a criticism of the overall outdoor design.
The Design Lesson
Lisa and Rosco’s spaces demonstrate how strong spatial planning, appropriate furniture scale and one confident use of colour can anchor a large open-plan home.
The living room is particularly successful because the major elements respect the space's volume. The rug is generous, the lounge has sufficient visual weight, and the television wall provides a clear architectural focal point.
The dining table and coffee-table grouping are the only elements that feel slightly under scaled by comparison.
Increasing both would create a more consistent relationship between the living and dining zones without changing the palette or broader design story.
Overall, Lisa and Rosco did an excellent job this week. The spaces feel warm, functional and designed for genuine entertaining—they simply need a few proportional refinements to fully match the scale of the home.
Courtney and Sev: Luxury Through Space, Proportion and Restraint
Courtney and Sev delivered a beautiful collection of living, dining and alfresco spaces this week.
The dining room is particularly successful. The timber table, wishbone-inspired chairs, pendant lighting and full-height curtains create a warm, architectural composition without relying on an excessive number of decorative elements.
The living room also demonstrates a strong understanding of scale and circulation. The furniture occupies the space confidently, the artwork introduces personality, and the layout preserves generous movement between the different zones.
There are a few elements I would refine, but the broader design is strong.
An Architectural Dining Setting
The dining chairs are one of my favourite selections in the room.
Their curved timber frames give them an architectural quality, while the upholstered seats introduce softness and comfort. They feel visually light enough to sit beside the full-height glazing without obstructing it, yet distinctive enough to give the dining zone its own identity.
The table is appropriately scaled, and the pendant lights establish rhythm above it without competing with the view.
Together, these elements create a dining room that feels warm, elevated and genuinely inviting.
Preserving Circulation Behind the Sofa
I disagree slightly with the suggestion that the sofa should have been pushed back towards the wall.
Leaving space behind it creates a direct circulation path between the living room and the surrounding zones. Someone can move through the space without walking between the television and the seating or interrupting people using the room.
It also prevents the sofa from feeling stranded too far from the television, simply because the room is large.
Furniture does not need to touch a wall to feel correctly positioned. In many expansive rooms, floating furniture creates a stronger, more intentional layout.
Adding a Console Behind the Sofa
The circulation path could have been reinforced with a long, slim console table behind the sofa.
A console would visually finish the back of the lounge, create a stronger transition between the living and dining zones and provide an opportunity for restrained styling or soft ambient lighting.
It would need to remain narrow enough to preserve comfortable circulation. The purpose would not be to fill the walkway, but to make the sofa’s placement feel even more deliberate.
Reconsidering the Chairs Beneath the Artwork
The occasional chairs are beautiful individually, but I am not convinced they are the strongest choice beneath the artwork.
That wall already has a significant visual presence because of the large, colourful piece. Placing two chairs, a small table, a floor lamp, and a plant beneath it creates a secondary sitting area that may not be used frequently.
I would consider replacing the chairs with one long upholstered bench.
A bench would preserve the wall's usefulness while creating a cleaner horizontal line beneath the artwork. It would also give people somewhere to sit temporarily without attempting to establish another complete conversation zone.
This is not a criticism of the chairs themselves. It is simply a question of whether their form and placement serve the wider room as effectively as they could.
Increasing the Television Scale
The television feels under scaled for both the wall and the distance between the screen and the main sofa.
A larger television would create a more appropriate relationship with the built-in shelving and substantial tiled ledge beneath it. It would also improve practical viewing without requiring any change to the layout.
The television wall is otherwise thoughtfully resolved. The integrated shelving provides storage and display space, while the long ledge gives the wall architectural continuity.
This is a scale adjustment rather than a redesign.
A Successful Alfresco Plan
The alfresco successfully establishes separate dining and casual lounging zones.
This is important in a home designed for entertaining because the outdoor area needs to accommodate multiple activities. Guests can sit around the dining table, move into the lounge area or circulate between the interior and exterior without every function competing for the same footprint.
The outdoor dining table could have been larger to better reflect the scale of the alfresco and the home's entertaining capacity. However, using a bench increases flexibility and keeps the setting visually open.
Overall, the spatial planning is strong.
Luxury Does Not Require One Particular Finish
This house also demonstrates that luxury does not require Venetian plaster—or any other single fashionable material—to be successful.
Luxury is a broad concept.
It can be expressed through generous circulation, appropriate scale, natural light, beautiful furniture, thoughtful joinery, tactile materials and the confidence to leave some space unfilled.
Here, the full-height curtains, warm timber, large artwork, carefully selected furniture and generous proportions create a sense of luxury without requiring every wall to become a feature.
A premium room should not be defined by the number of expensive finishes it has. It should be recognised through the experience it creates.
The Design Lesson
Courtney and Sev’s spaces demonstrate the value of letting furniture define zones in an expansive open-plan home.
The sofa does not need to be against the wall because its current position creates a direct line of sight to the television and maintains an appropriate viewing distance. The dining setting uses sculptural furniture to establish architectural character, while the alfresco provides distinct areas for eating and relaxing.
I would increase the television size, consider a long console behind the sofa and replace the two chairs beneath the artwork with a streamlined upholstered bench.
These refinements would make the room feel even more intentional, but they do not undermine what is already a strong, cohesive and beautifully proportioned design.
The girls did an excellent job, and they demonstrated that luxury is not a single material or aesthetic. It is the successful relationship between space, function, proportion and atmosphere.
Rick and Tayla: Strong Design Choices, but an Unbalanced Spatial Plan
Rick and Tayla selected some beautiful elements this week.
The olive-green modular lounge creates depth, the artwork introduces personality, and the warm timber, soft pink accents and creamy upholstery feel cohesive with the broader home. Individually, the furniture and styling choices are strong.
However, the layout does not allow those pieces to perform as successfully as they could.
Most of the living and dining furniture appears concentrated along one side of the open-plan space. There is very little negative space between the zones, while other parts of the room remain comparatively open and disconnected.
The result is a house with generous floor area, but that does not fully feel as though it has been planned at that scale.
When a Large Space Still Feels Cramped
Negative space does not mean leaving a large section of the room empty.
It is the deliberate breathing room around furniture, artwork and functional zones that allows each element to be understood. When a sofa, dining table, and surrounding chairs are compressed into one area of an open-plan room, the eye reads them as a single crowded composition.
Rick and Tayla’s living and dining spaces need better separation.
The problem is not a lack of space. It is that the available space has not been evenly distributed among the functions.
Repositioning the Lounge
The green lounge is beautiful and provides a strong contrast against the pale architecture, but it feels pushed into the corner of the room.
I would bring the lounge further forward and reconsider its orientation so it relates more intentionally to the television, fireplace and occasional chairs.
Moving it away from the wall would create negative space around the sofa and allow its sculptural form to be appreciated. It would also help establish the living room as a deliberate zone rather than a collection of furniture placed around the perimeter.
The occasional chairs could then be repositioned to create a more cohesive conversational arrangement rather than appearing to float between the sofa and television.
Increasing the Rug Size
The rug is significantly under scaled for the living area.
A rug should visually connect the primary seating pieces and define the room's perimeter. Here, it does not extend far enough beneath the lounge or occasional chairs to anchor the entire arrangement.
I would introduce a substantially larger rug beneath the complete seating zone, ensuring that at least the front legs of the sofa and chairs sit comfortably on it.
This single change would immediately make the living room feel more generous, connected and intentional.
A Strong Palette Worth Preserving
The colour palette is one of the strongest parts of the design.
The deep olive lounge adds richness to the room, while the blush, terracotta, and cream accents soften it. The oversized artwork successfully brings those colours together and creates a confident focal point above the sofa.
The pale timber floor, full-height curtains and light joinery prevent the darker upholstery from overwhelming the space.
Nothing about the palette needs fundamental reconsideration. The issue is spatial planning, not colour selection.
Reconsidering the Dining Table
The dining table feels too small for the available space and the living room's entertaining capacity.
A house capable of accommodating a large modular lounge and multiple occasional chairs should provide a dining setting that can host a comparable number of people.
Depending on the relationship with the kitchen, I would explore rotating the dining table and increasing it to an eight- or ten-person setting. If rotation restricted circulation, a long integrated bench seat could offer additional capacity without introducing another full row of bulky chairs.
Any change in orientation would also require the pendant cluster to be repositioned and centred over the new table arrangement.
I disagree slightly with the idea that the existing configuration is the only workable option. The room has enough floor area to support a more generous dining solution—it simply needs to be tested alongside the kitchen clearances and circulation routes.
Simplifying the Outdoor Kitchen
The outdoor kitchen is a valuable addition, but its L-shaped layout occupies more of the alfresco area than necessary.
The projecting return creates unused space behind the person cooking while simultaneously separating them from the dining and lounge zones. It also interrupts the otherwise long, open character of the balcony.
I would consolidate the outdoor kitchen into one linear run along the wall.
This would retain the barbecue, refrigeration, sink, preparation space, and storage while freeing up more usable floor area for entertaining. It would also allow the person cooking to remain more connected with everyone else rather than feeling contained behind the return.
The final position would still need to respond to services, ventilation, weather exposure and the direction of the view, but spatially, a single-wall arrangement would feel cleaner and more generous.
Scaling the Alfresco Furniture
The four-person outdoor dining table is too small for a home of this size.
The alfresco should support the same entertaining capacity as the interior. I would replace it with a larger dining table that seats eight, provided comfortable circulation can be maintained around it.
The two individual outdoor chairs and the small side table also feel insufficient for the balcony's scale.
A proper outdoor lounge would create a more useful casual seating zone and better support longer periods of relaxation and entertaining. It would also give the alfresco greater visual weight once the kitchen was consolidated along the wall.
This space does not need more scattered furniture. It needs fewer, larger pieces with clear functions.
The Challenge of Designing Large Rooms
Large spaces can be more difficult to plan than small ones.
In a compact room, the physical boundaries naturally dictate furniture placement. Every piece must earn its position because there is little room for error.
An expansive room provides more options, but that freedom can create uncertainty. Furniture is often pushed against walls or clustered tightly together because that placement feels familiar and safe.
The result is not always spaciousness.
True spaciousness comes from proportion, balance, and negative space intentionally distributed throughout the room—not from leaving one large area empty while compressing every function elsewhere.
The Design Lesson
Rick and Tayla’s spaces contain beautiful furniture, a confident palette and several strong individual details. The olive lounge, oversized artwork, pale joinery and warm accents are all worth retaining.
The changes required are primarily spatial.
A larger rug, a reoriented lounge, a more generous dining setting, a linear outdoor kitchen and properly scaled alfresco furniture would allow the home to use its size more effectively.
This week has demonstrated that designing a large room is not simply a matter of selecting more furniture. It requires understanding how scale, circulation and negative space work together.
Furniture needs room to breathe—but breathing room must be intentional. Otherwise, a large home can still feel crowded in one area and strangely empty in another.
The Final Verdict: Large Rooms Still Need Discipline
This week demonstrated something we do not discuss enough in interior design: large spaces can be just as difficult to resolve as small ones.
When a room is generous, the instinct can be to push furniture towards the walls and leave as much open space as possible. However, this often creates the opposite of luxury. The furniture begins to feel undersized, the zones become disconnected, and the empty space feels accidental rather than intentional.
The strongest rooms this week understood hierarchy. The living area had a clear anchor, the dining table was proportionate to the number of people the home could accommodate, and the alfresco included distinct zones for cooking, dining and relaxing. Each space was allowed to breathe without losing its connection to the rest of the home.
House One showed what can happen when a couple refines and edits their ideas. House Three and House Four delivered rooms with strong proportions, personality and thoughtful details that required very little intervention. House Two and House Five highlighted why orientation and spatial planning matter so much, which is why I felt a conceptual mock-up could demonstrate meaningful improvement for these two houses.
The lesson from this week is not that every large room needs more furniture. It needs the right furniture, at the right scale, positioned with purpose.
Beautiful pieces alone cannot carry a room. They need to work together—to create movement, balance, comfort and a natural relationship between the people inside the home and the views beyond it.
That is when a large space stops feeling merely furnished and begins to feel genuinely designed.
Ready to Create a Home That Feels as Good as It Looks?
A beautifully designed living space is not defined solely by its furniture, finishes or styling. It is shaped by scale, proportion, circulation, and the way each zone supports the way you relax, connect, and entertain.
The same principle applies throughout your entire home. Successful design brings architecture, function and atmosphere together to create spaces that feel as considered as they look.
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Continue the Series
The Block Week 4: Main Ensuite Week
The Block Week 3: Main Bedroom and Walk-In Robe Review
The Block Week 2: Bathroom and Water Closet Review
The Block Week 1: Guest Bedroom Review
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